
Fueled by robberies, cheap drugs ("injection is affection"), junk food and considerable inner demons, The Clown is clearly on a journey straight to Hell. He might get there too, if he'd only stop having motor troubles and running out of gas. Escaping from whatever reality he once knew, our grease-painted pal clearly doesn't care where he might impulsively land and bring his circus of amusements. The Clown's deepening psychosis and completely unpredictable behavior ("Yee-haw in a haystack, honey, there's a tractor in my balls!") becomes ever more amusing as things progress. Joe Wanjai Ross is a real hoot as the ill-fated and medicated fool, chewing up his scenes faster than Oprah at a rib buffet.

Devil Girl (Vanessa Kay) then finally enters the frame; her introductory pole dance at the club should make a favorable first impression. A Coop pinup in living flesh; she is completely red from head to toe, sexually devious, outrageously buxom and comes complete with tail. If only her line readings were as fully developed. Her otherworldly visits seem part illusion or fevered fantasy, although she has obvious effect in the human realm. Ostensibly offering salvation, redemption, vengeance and the occasional joint or lesbian tryst, Devil Girl asks only of others but to be themselves; letting the good times roll as steadily as her vintage black Thunderbird.

Fans of hallucinogenic travelogues such as Natural Born Killers and Fear And Loathing In Las Vegas should find some things to admire in the visual tapestry director Howie Askins paints with Devil Girl; albeit with an almost Rob Zombie-like air of sleaze over the proceedings. Throw in some Russ Meyer and Quentin Tarantino-ish flourishes and you have one damn colorful low budget road-show extravaganza. Not too shabby of reference points if you ask me.
The film doesn't completely vanish without point, either. The convoluted ending does leave the events that have just transpired to complete uncertainty, but overall its due course is straight to unapologetic excess.
Not nearly as meditative as Richard Safarian's muscle-car masterpiece, but twice as entertaining if you're willing to park your brain in the garage and fire up Devil Girl's winning engines. She'll take you for a guilty ride you won't soon forget. Hell's ahead, hit the gas.
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